The painter immortalizes the awe and geometric imperfection of nature. Using an alchemic and sentimental technique through the excavation of the infinitely tiny, Vescovi reinvents the skeleton, the pictorial spectrum of worldly shapes.

An aristocratic, precise and manic painter, Tonelli chooses lofty views, at times even ice-cold, warmed up only by sparingly used lights. Muffled and inhabited landscapes: the poetry of light and silence, that make one able to dream while keeping one’s feet on the ground.

Sculptures or mosaics, jewels or decorations, Pivi’s works never abandon the poetic line marked by the past: through the recovery of archaic iconographies and the owning of historical languages, the artist recreates with irony figures linked to myths and rites of distant cultures, oftentimes absurdly made topical.

A contribution always on the borderline between the need for play and the search for silence, between a sweet and affectionate irony and the need to concentrate on the sense of life, even though he never forsakes a light-spirited attempt at discovering the most tender and human side of imaginary characters, who defy destiny to conquer a history and identity.

The child of present time, a painter equipped with a brush and remote control, veils and zapping, Passarella puts on a canvas the logics of contemporary communications, made of quotes, jumps, inconsistencies, cross-references, confusions, minimal and quick attention. His works like Indian movies are a paradoxical mix of discrepant situations, in which Groucho Marx may meet Karl, Fiat 500 may run in a Grand Prix and the vase of Amarena Fabbri may be confused with the symbols of the twentieth century.

Luigi Ontani, for his extraordinary artistic adventure that rightly places him among the greatest artists in the world.

Gianmarco Montesano for his fundamental contribution in the sphere of figuration, a real reference person for future generations.

Aldo Mondino was first to be called upon and accepted with great enthusiasm. Today he is no longer with us and we wish to thank him for his great artistic talent that he so generously donated to us.

Nino Migliori for his astounding career relative to photographic experimentation and for his long-standing personal relationship with Fabbri (and its myths).

The artist sculpts light shapes, color patches, undetermined figures, Plexiglas silhouettes that seem to fly lightly in the air. Reality catches on with its immediacy through simple stylized figures like an ice-cream cup.

Undisputed master of drawing, with a simple pencil he creates images that have the old flavor of composition, even though disrupted and made topical. Like a scholar bewitched by the masterpiece he shows that the evocation and reassessment of past time are not only possible but even desirable to give back to art the ability to tell, involve and deceive.

Syncopated, lively images although easy to recap. Faces that self-reproduce and explode, swarming features, smiles that necessarily become enigmatic.

Giger and Clarke-like landscapes, in which thousand-windowed buildings tower over, in which buildings grow, breathe and adjust to what surrounds them. Galimberti has made fragmentation his stylistic hallmark. In his works, characters, figures, views and items are never whole, never allow a univocal reading, as if the artist wanted to underline the impossible objectivity of the lens.

Roberto Floreani for the continuity and depth of the research which has made him a point of reference in the sphere of abstraction.

A painter and ceramist, Fioroni seeks signs that hint at allusiveness, metaphor, lightness of sad and happy images. Drawings of beautiful times and suffering, mourning and joy, intuitions, quick flashes, like a heart of gold.

Fulvio Di Piazza a unique personality among the many praise-worthy young artists here present and chosen for his courageous use of an old-fashioned and extraordinarily convincing pictorial research.

Aldo Damioli for his pictorial research rich in conceptual fascination, yet another proof of the versatility of painting.

A contaminated painting, in which comics meet historical avant-garde movements, the memory of pop art and some interference from cartoons. All of this mixed with figures rooted in the popular culture, gothic and pre-Columbian tradition.

In his works, the density of constructions, ideas and stimulations reminds of comic-strip and illustrative creativity as well as the absurdity of wild urbanizations, and implicates enthralling and absurd skylines like the ones in New York, Hong Kong, Manila, Toronto. His work gives life to strange pieces of a parallel universe, reproduces a sort of primordial Big Bang in which matter and form are seemingly able to generate new life and spaces.

A 3-D virtuous young man, builder of impassable tops and steely depths gives life to a melting pot in which, as if it was a philter, parallel universes seemingly bubble. Among ice walls, steely depths and huge cement basins perhaps there are things that you, humans, would never imagine.

Cinelli paints femininity, hence beauty, seeking it in the anatomical details and in the bodies of female friends and acquaintances. She chooses nudes for purity and unconsciousness. Silent nudes that lead to whispered suggestions: how sweet it is to founder in this sea.

Like a juggler, with great artistry he goes from video to photography, he reads reality through a minimal and non-violent processing. Current-moment symbols and landscapes are repeated, divided into two and seen through close-up shots that give them new meaning. The viewing of a crime that has never been committed.

Like a juggler, with great artistry he goes from video to photography, he reads reality through a minimal and non-violent processing. Current-moment symbols and landscapes are repeated, divided into two and seen through close-up shots that give them new meaning. The viewing of a crime that has never been committed.

Unmistakably pulp, its language is composed of manga, cartoon, graffiti and videogames. It is an homage to sci-fi fiction and splatter, in which blood red heads swell up excessively to the point of exploding

By all means, one of the youngest talents of the digital and video world, a Photoshop and electronic print magician, with a great secret: his ability to eliminate from the machines the coldness of metal figures, that kind of detachment that otherwise would have allowed them to be overshadowed by the warmth and participation of painting and photography. In a nutshell, a blade runner with a still pulsating heart.

Corrado Bonomi for contributing new connotations to plasticity, giving a touch of irony which has strongly influenced the new generations of artists.