The child of present time, a painter equipped with a brush and remote control, veils and zapping, Passarella puts on a canvas the logics of contemporary communications, made of quotes, jumps, inconsistencies, cross-references, confusions, minimal and quick attention. His works like Indian movies are a paradoxical mix of discrepant situations, in which Groucho Marx may meet Karl, Fiat 500 may run in a Grand Prix and the vase of Amarena Fabbri may be confused with the symbols of the twentieth century.