The fascination is strong and a scent of middle-east spices and harems emanates from the installation of Adriano Tetti for Fabbri. Like in other works of his, the title lends a sense to the work, in which the pit-thrower profile has the same dignity as a Renaissance portrait, while the white-and-blue decorated cap of Amarena Fabbri takes the place of Sufi dancers. In the blue wood support even the trajectory of projected pits with elegant precision creates a celestial course and a pleasant night effect: Tetti’s combined painting for Fabbri moves from Rauschenberg and arrives to the advertising posters that announce “never-seen-before turns” of Moira Orfei’s equestrian circus.