A fine painter of the human and animal body, Samorì has chosen for Fabbri a female profile with vague Ethiopian traits and Eva’s ancient beauty, the mother of all living beings. It does that diluting tamarind juices and cherry syrups to create together with resins and inks a red color like sinopias and the most ancient rupestrian paintings. The pigment is spread by washes on antiqued paper then applied on a canvas, it is a medium between the alpha and omega of time, through which the artist, with a shamanic gesture, exercises memory and transmits a glimpse of truth, fragile like the impalpable depth of the heart