With strong emotional impact, the work of Daniela Perego involves the spectator through a use of colour that enchants with the power with which it is handled, which also becomes the meta-symbolic plane of interpretation of the work: the effect is alienating and the impression is physical, a kind of hallucination of the vision, such as when you stare at the sun and then, accordingly, the existing reduces its confines, blurring. . Yet it so happensthat in Untitledevery element iswell defined in its forms, losing thereference to the function: in thisway a “friction” is created that isclose to the dream-like sphere, anoverlapping of signs that, instead of referring to themselves, breakthrough the depth of vision like aninterplay of reflected mirrors.The contortion of the proportionsincreases the perceptive deception(which in the “giantism” of theFabbri vase reaffirms the subjectivityof the element represented),cleverly combined with thechromatic contrast of the primarycolours (blue, yellow, red) in order to create a language ofallusions/illusions in which even a single poppy can be imagined as a amarena cherry.