With the energy that has always distinguished the informal language of Lidia Puglioli, the work Paesaggio antropomorfo renders sacred the mythical sense of the relationship between man and nature through a palpable, hard yet finely elegant material that becomes the vehicle for symbolic experiences; though magmatic, the representation allows a glimpse of the anthropomorphic signs of the fusion of a (imaginary) landscape left to pure carnal intuition in the features and in the metamorphic orientation of the Fabbri vases, imagined as the container of life based on the human body in the mystery of reproduction and nature in the making. The artist offers a vibrant vision,entrusting the complexity of thediscourse to the symbolic perfectionof the colour gold, the emblem ofpower, virility and seduction, with acontinuous and vigorous referenceto the “man-nature” hendiadys,enriched in its perceptive stimulationby a third element, miscellaneousyet cohesive in its “conceptualsubstance”: Fabbri amarenacherries.